In it, a character in Hell agrees to tell his story, assuming that no one will be able to return from Hell and tell it to others.
The Love Song of J. Alfred Prufrock is a psychological profile of a white, middle-aged, middle-class, late Victorian man suffering from an acute spiritual malaise as a result of his boring, unimaginative, routine, repressed bourgeois existence.
It also announced one of the themes that Eliot explored throughout his career: Prufrock epitomizes a frustrated man hopelessly alienated from his imagination and yet desperate for imaginative salvation.
His life is filled with meaningless gestures and predictable encounters; his seamy world is agonizingly uninspiring.
Prufrock is an effigy representing the cultural decadence and moral degeneration that Eliot equates with the society of his time. He is the product of a world suffering from a break with its past cultural heritage, a loss of tradition, a failure of institutional authority, and an unhealthy emphasis on individualism.
Although Thomas Stearns Eliot was born in and lived his early life in St. Louis, his family was so New England in its outlook that it can hardly be identified as Midwestern.
He founded a Unitarian church in St. Louis and then went on to establish three schools, a poor fund, and a sanitary commission in the city. His crowning triumph, however, was in founding Washington University in At thirty, Eliot had two books in print: Prufrock and Other Observations and Ezra Pound: His Metric and Poetry By his fortieth birthday, he had twenty-three more books in print, including collections of his poetry, several books of criticism that dislocated many entrenched ideas about literature, and three dramatic works, Sweeney Agonistes ; verse playThe Rockand Murder in the Cathedral By that time, Eliot was generally considered the most important poet writing in English.
He heard of his selection for the Nobel Prize while he was in Princeton as a fellow at the Institute for Advanced Studies. There, he worked on The Cocktail Partywhich he had begun before he left England.
Alfred Prufrock was T. It represented a break with the immediate past as radical as that of the English romantic poets. The name comes from Prufrock-Littau, a furniture company which advertised in St.
Louis, Missouri, where T. Prufrock never gives utterance to tender or loving feelings in his song. He is unable to love.
The reader immediately wonders who these people are and where they are going. It can also be the reader and Prufrock. We do not know yet. We only know that it is evening and that they are walking through streets of a sordid section of a certain city.
We do not know its name but it seems representative of other great cities of modern western civilization. Then the speaker mentions a question, an overwhelming question, but he does not want to talk about it. And since the question is never asked in the poem, the answer is never given.
We also learn that they are going to pay a visit to a place in which women talk of Michelangelo. After thinking of the women to be visited, the speaker returns to a vision of the streets, the fog, beautifully described as a cat that falls asleep.
It seems that Prufrock is putting to sleep the vision he had of the city and also he is gaining time from the society that is waiting for him in the room where women are talking of Michelangelo. Eventually he enters the room and remembers In three rhyming stanzas the times he has heard the same voices, seen the same people.
He knows that society very well and he does not like it. He finds it trivial and boring; he says: Then he starts to rehearse what he dares not to say, and he does not say it.An Analysis of The Love Song of J.
Alfred Prufrock - The editors of anthologies containing T. S. Eliot's "The Love Song of J. Alfred Prufrock" invariably footnote the reference to Lazarus as John ; rarely is the reference footnoted as Luke Peer edit essay translation words for essays about life leadership and governance essay prevention is better than cure health essay looking for alibrandi christina essay writingTwilight movie essay general quotations for essays about love romans and the christian worldview essay word essay planner osu vs alabama comparison essay john and.
Essay prufrock - Think 24 7 - Content Results Education · Quality Advice · Education Answers · Education. Abstract The Love Song of J. Alfred Prufrock is a psychological profile of a white, middle-aged, middle-class, late Victorian man suffering from an acute spiritual malaise as a result of his boring, unimaginative, routine, repressed bourgeois existence.
Oct 03, · [In the following essay, Ledbetter asserts that a more accurate interpretation of "Prufrock" may be garnered by rethinking the roles of Lazarus, John . Prufrock briefly fancies himself a heroic character: a beheaded John the Baptist, a Lazarus returned from the dead, a Hamlet who can assert himself and win the admiration of the woman and her friends.